_VOID Nomadic Gallery stands at the intersection of art and technology. It’s a non-profit nomadic initiative dedicated to showcasing media, sound, and technological arts across Scotland and beyond — sparking dialogue and pushing boundaries.

We cultivate temporary, flexible, and community-rooted environments, curated situations through exhibitions, screenings, workshops, and discussions among artists, technologists, and curious minds who come together to explore the impact of technology through critical, poetic, and experimental lenses.

More about _VOID Nomadic Gallery: https://voidnomadic.gallery/about
Follow us: https://www.instagram.com/_void.gallery/

List of Works and Artists

Neil Quigley (Ireland/Scotland) — Universal Wand
Neil Quigley is a composer and artist whose practice spans experimental sound, installation, and speculative fiction. ^{https://www.instagram.com/neilpquigley/}

blanche the vidiot (Hungary) — AIcology
The duo, Szabina Péter and Kristóf János Bodnár, combine philosophy, performance, and multimedia since 2020, creating works at the edge of sound, image, and code.
^{https://instagram.com/blanchethevidiot}

CickinDunt (Switzerland) — Mirror
Since 2012, the group has collaborated with surveillance networks worldwide, creating films and lectures on the cultural impact of CCTV.
^{https://www.instagram.com/cickindunt}

Demelza Kooij (Scotland) — Wolves From Above
An artist, filmmaker, and lecturer, Kooij’s work explores nonhuman worlds, night ecologies, and speculative landscapes, shown widely across international festivals and museums. ^{https://www.instagram.com/demelza_kooij/}

GWENBA (Wales/England) — Dreams of Vermi Computing and Other Monsters
A multidisciplinary artist, writer, and mystic, GWENBA’s practice blurs the boundaries between scientific data, myth, and the unconscious.
^{https://www.instagram.com/g.wenba/}

Gray Cake (France) — AI Winter / The Road
Gray Cake, duo Alexander Serechenko and Katya Pryanik, merge traditional art forms with new media to explore the aesthetics of technological ruin.
^{https://www.instagram.com/gray_cake/}

Nicola Bertoglio (Italy) — Recognize Me.
Milan-based multidisciplinary artist and human rights activist, Bertoglio has exhibited widely, focusing on mobile photography and post-digital imagery.
^{https://www.instagram.com/niko74mi}

Vika Malysheva (England) — Urban Voices
A UK-based artist with a background in design, Malysheva studies how urban signs and domestic traces shape everyday life.
^{https://www.instagram.com/vika_art_and_home}

Josh Wirz (Scotland) — Medusa
Wirz is a Glasgow-based media artist working across moving image and installation.
^{https://www.instagram.com/wirzwirzwirz/}

Mushy Legs Collective (Scotland) — Smile – ur on camera
Founded in Glasgow in 2025, Mushy Legs is a non-profit collective supporting working-class femme creatives in audiovisual art. ^{https://www.instagram.com/mushylegs/}

Mateusz Janik (Poland) — Sensitive Points
Janik works between photography, moving image, and AR. His practice examines the phygital self and identity in digital culture.
^{https://www.instagram.com/matevszjanik/}

Domme Ewan (Scotland) — Artificial Voyeur
Ewan is a Glasgow-based creative technologist experimenting with digital materials, social design, and critical making.
^{https://www.instagram.com/cyberspice.xyz}

Wei-Fang Chang (USA) — Look Up
A video designer and TouchDesigner developer based in New York and LA, Chang works across performance, projection, and interactive systems.
^{https://www.instagram.com/w._.mp4/}

List of Works and Artists

Neil Quigley (Ireland/Scotland) — Universal Wand
Neil Quigley is a composer and artist whose practice spans experimental sound, installation, and speculative fiction.

blanche the vidiot (Hungary) — AIcology
The duo, Szabina Péter and Kristóf János Bodnár, combine philosophy, performance, and multimedia since 2020, creating works at the edge of sound, image, and code.

CickinDunt (Switzerland) — Mirror
Since 2012, the group has collaborated with surveillance networks worldwide, creating films and lectures on the cultural impact of CCTV.

Demelza Kooij (Scotland) — Wolves From Above
An artist, filmmaker, and lecturer, Kooij’s work explores nonhuman worlds, night ecologies, and speculative landscapes, shown widely across international festivals and museums.

GWENBA (Wales/England) — Dreams of Vermi Computing and Other Monsters
A multidisciplinary artist, writer, and mystic, GWENBA’s practice blurs the boundaries between scientific data, myth, and the unconscious.

Gray Cake (France) — AI Winter / The Road
Gray Cake, duo Alexander Serechenko and Katya Pryanik, merge traditional art forms with new media to explore the aesthetics of technological ruin.

Nicola Bertoglio (Italy) — Recognize Me
Milan-based multidisciplinary artist and human rights activist, Bertoglio has exhibited widely, focusing on mobile photography and post-digital imagery.

Vika Malysheva (England) — Urban Voices
A UK-based artist with a background in design, Malysheva studies how urban signs and domestic traces shape everyday life.

Josh Wirz (Scotland) — Medusa
Wirz is a Glasgow-based media artist working across moving image and installation.

Mushy Legs Collective (Scotland) — Smile – ur on camera
Founded in Glasgow in 2025, Mushy Legs is a non-profit collective supporting working-class femme creatives in audiovisual art.

Mateusz Janik (Poland) — Sensitive Points
Janik works between photography, moving image, and AR. His practice examines the phygital self and identity in digital culture.

Domme Ewan (Scotland) — Artificial Voyeur
Ewan is a Glasgow-based creative technologist experimenting with digital materials, social design, and critical making.

Wei-Fang Chang (USA) — Look Up
A video designer and TouchDesigner developer based in New York and LA, Chang works across performance, projection, and interactive systems.

Fragility in the Eye of the Beholder drifts between shadow and glare, where the gaze of machines unsettles the ground beneath us. These works whisper of fiction and memory, bodies under watch, and identities refracted through invisible codes. Here, the act of looking becomes fragile - slipping between control and resistance, silence and revelation.

Through a series of 13 video works, the exhibition questions what it means to be seen in an age of machine vision, when observation itself becomes a form of vulnerability.

Curated by Olesya Ilenok and Andrey Chugunov under their nomadic media art initiative _VOID, the exhibition is part of the 8th edition of The Wrong Biennale - an internationally recognised platform for digital and post-internet art.

It unfolds both online and offline: in a purpose-built interactive Pavilion at voidnomadic.gallery, and as a physical Embassy installation in the windows of
16 Collective (Glasgow) and kooperator.space (Aberdeen).

The project is kindly supported by Creative Scotland.